A survey in Piedmont has shown that there has been a growth of the activities related to live event, and this fosters the growing interdisciplinary production, with a consistent enhancement of multimedia skills
How many resources must be allocated to programma live events?
Which are the technologies and the devices to be used for the digitalization of actions and events?
Which model of scenic dramaturgy must be used when the story unfolds between different media at the same time?
How to effectively assess the entire cost of production?
The performance is created through a production project, replicated as an event, and increasingly also exploited in the version recorded / played through audiovisual and digital media. In other words it has a life cycle.
This study requires the identification of a unique vocabulary as regards the consumption by the public moving on two key stages: production design and dissemination.